Archive for the ‘David Cronenberg’ Category

the-blob-film-1988There is one film in my vault of horrors that I watch every Halloween, regardless of what my yearly theme may be. It’s a film I associate with the holiday, (despite having nothing to do with it) starting way back to when I was fresh out of diapers, and stumbled across it for the first time on cable. Now I’m sure many purists out there will scream blaspheme when they discover it’s a remake, but it’s one of the best, and a prime example of how they should be done. Taking what worked from the original, and building upon it while omitting the kitschy bits that kept it from achieving greatness.

The film in question is a mortifying one, responsible for my outright abhorrence of a certain Cosby marketed gelatinous treat that makes me gag just thinking about it. The crusty film that spreads across its surface if left to fester in the fridge for too long. The way it jiggles upon a spoon as it creeps toward your mouth, and how it slurps, and slithers down your throat like an edible slug. I’m of course talking about Jell-O, and its amorphous acidic older brother, The Blob.blob-4

Released in 1988, The Blob is director Chuck Russell, (known for A Nightmare on Elm Street 3: The Dream Warriors) and writer Frank Darabont’s, (of Shawshank Redemption, The Mist, and spawning the now beloved Walking Dead series) loving remake of the Steve McQueen led 1958 classic.

The film follows the citizens of Arborville, California as they’re attacked by an organism that devours, and dissolves anything unfortunate enough to cross its path, while growing to astronomical proportions in the process.

blobThe major divergence from the original was making the creature a biological weapon, rather than an extraterrestrial organism, which provides a terrifying political subtext that’s much more effective than the outer space craze so rampant in films from the fifties, and sixties.

The gruesome special effects, provided by the legendary Tony Gardner, (Army of Darkness, Michael Jackson’s Thriller) are extraordinary for the time the film was released, and hold up exceptionally when compared to what we see today.
blob3
The Blob, is hands down one of the top three best remakes of all time, the other two being Carpenter’s Thing, and Cronenberg’s The Fly. It’s gory, it’s scary, and it’s a hell of a good way to kill an hour and change.

A fun fact to end on, Tony Gardner has been investigated two times by authorities. The first, by the FBI, then again by the Arizona State Police, and Missing Persons Bureau for his work on .

hellraiser
I love Clive Barker. There’s something about the man’s seamless blend of the morbid, and erotic that I’ve always been attracted to.

Hellraiser was one of the first true horror movies I watched as a child, and I still remember the experience vividly. Sneaking out from my bed, and creeping downstairs. Peeking out from behind the wall that separated the living room from the entryway in my childhood home, and listening to the blood-curdling screams as a leather-bound man with pins embedded in his head summoned chains from the pits of hell to dismember those unfortunate enough to stumble upon the gateway to his realm. I instantly fell in love, and peed a little, but mostly the love.

nightbreed1
It wasn’t until many years later that I discovered Nightbreed, an adaptation of his horror-fantasy novel Cabal that was released in 1990.

The film nightbreed2follows Aaron Boone, a mentally unstable man who dreams of a supernatural world that exists within a cemetery called Midian, and is led to believe by his psychotherapist, (David Cronenberg in a thoroughly terrifying role) to be the serial killer responsible for the murders of several families. After escaping Doctor Philip Decker, (who we soon discover is the serial killer, surprise, surprise) Boone takes refuge in Midian, and discovers its denizens are an ancient race known as the Nightbreed who were driven to near extinction by humans. Once there he must lead the Nightbreed in a defence against Dr. Decker who intends to destroy them all.

Nightbreed is another example of  studio mistreatment, in this case 20th Century Fox. The studio barely promoted the film, and much to Barker’s chagrin, released a handful of misleading posters, and trailers that marketed the film as a slasher, and not the unique horror-fantasy that it was. They also refused to screen it for test-audiences, and critics, arguing that the people who watch horror don’t read reviews, causing the film to be sold to the lowest common denominator.nightbreed3

Unsurprisingly the film tanked, regaining only 8.9 of its 11 million dollar budget, and quickly faded into obscurity, but has since found a new audience thanks to Scream Factory’s release of the director’s cut on bluray.

Nightbreed is quirky, grotesque, and rich with as much homosexual undertones as you’d expect to find in a Clive Barker piece of art, and I love it.

nightbreed4

Do yourselves a favour skiddies, and check out Nightbreed.

Midian awaits you.